I opened my asana toolkit and this is what came out today

Because of the snowy, icy weather here in Boston, I opted-out of my regular commute to work in Concord, NH and worked from home.  Working from home, is great for freedom from distractions.  But freedom from distractions results in my sitting fixated in one position at the computer.  Sometimes in very un-posture-friendly-positions.

So around 5 pm, I took a break.  I knew if I lay down on my yoga mat, I'd fall asleep...and unfortunately, I don't have the luxury of nap-time right now.  So I stood on the floor (didn't even open my mat) and didn't move my feet the whole time, but felt quite invigorated after just a few minutes of movement.  What I did was nothing crazy, but I  I wanted to share it with you because it felt good for me.  So I recorded it after I finished my practice (hmmmm, can you say procrastination?)   The recording is 9 minutes long and is a standing vinyasa...meaning you keep flowing, but stand in one place the whole time.

My short (9 minute) standing vinyasa:  DOWNLOAD MP3

If you're unfamiliar with the postures I mention in the sequence, here are some nice photos of the variations I used:
  1. ragdoll
  2. tadasana 
  3. half-moon (Bikram style) 
  4. standing backbend
  5. squat (utkatasana).
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What kind of yoga do you do?

I don't have a concise answer to this questions and it seems to bother people who ask it of me. For a number of years it bothered me too as I strove to find a yoga "identity".

Much the way recent college graduates meeting for the first time ask each other, "where did you go to school?"; yoga people meeting each other ask, "what kind of yoga do you do?"

Yoga is very personal and almost private for me. My home practices are the heart of my yoga. Although I love attending yoga classes, I tend to find more comfort and spirituality in my personal practice. I never know what my practice is going to look like until I'm doing it. Sometimes I get on the mat and stay in child's pose for 15 minutes and then sit in meditation for an hour. Other times I roar through 20 sun salutations, sweat like crazy, take savasana and a few rounds of pranayama. Today, my feet were cold. So the first 20 minutes of my practice were all postures I could do with socks on until my feed warmed up.

I am not loyal to one tradition of yoga other than the yoga sutras guidance of finding steadiness and comfort (sthira and sukka) in every movement and posture. However, I draw on many traditions when I'm teaching and practicing.

Call me jack-of-all-yoga, master-of-none or yoga mutt, I pick and choose from lots of traditions. And I'm fortunate to have teachers who encouraged me to try all sorts of yoga and develop my own style. So to answer the questions of what kind of yoga I do, we'll ahhm, it depends on the moment.

Here's a sample of the kind of yoga I "do" and what I like from different disciplines:
  1. Viniyoga is my strongest influence, and where I've had the most formal training.  I love the emphasis on individuality, modification of postures and that it is ok for each of us to look different in the same posture.  I know I'm in the vini-zone when I'm teaching and I look out at the class and no one is looking at me and everyone is in a different place in a sequence.  
  2. Ashtanga sequences usually start me off when I'm doing a vinyasa (flow) practice.  I welcome the predictable flow of Surya Namaskar A and B (sun salutations).  And when I'm teaching vinyasa to a class of "experienced" vinyasees, the energy of the collective practice gets strong when we begin with powerful, familiar sequences like the Asthanga warm-up.
  3. Yin yoga is a gift from the universe like no other.  Long held (5-8 minutes), gentle, passive  postures intended to stretch our bodies' connective tissue (fascia, tendons, ligaments) and bones can enhance our meditation practice and give us tremendous releases in our bodies.  It is rare that I teach or practice without incorporating at least one yin posture into the session.
  4. Kundalini yoga is invigorating and a fantastic change of pace for a yoga class full of Type A Power Yogis!  Some of the Kundalini exercises are wild and involve chanting.  Any time I sense a class is feeling uptight or overly focused on getting things "right", I throw in a Kundalini move to break the tension.  Usually, this gets people to stop taking  their practice so seriously:  standing with feet wide, inhaling arms over the head and with a loud exhale through the mouth, quickly fold forward with bent knees and yell "HAH" as you let both hands hit the floor loudly.  It is a great stress reliever!  I also love, love, love Kundalini music and use their mantras and chants for most of my practices.
  5. Iyengar is where I go to learn new postures.  I don't care for the way most Iyengar teachers design a whole practice around one type of postures (e.g. the whole class might be to prepare to do a shoulder stand).  But I have never walked away from an Iyengar class without learning something new about a part of my body I'd never paid attention to (for instance, my sternum).  And I know I'm a better teacher for learning postures from teachers who are so steeped in knowledge of the anatomy of yoga.
  6. Buddhist meditation and the practice of awareness are staples in my teaching and my practice.  The reason I don't plan my practices or my teaching in advance is because I believe the practice should evolve with each moment based on our awareness of our body/mind/energy needs at that particular moment.  Although a disciplined planned practice can be nice for our bodies, I find that a hatha yoga practice without awareness/mindfulness/conscious breath can easily turn into exercise.  While exercise is great too, it is not necessarily a union of body and mind.
So if you practice with me sometime, you're sure to have centering at the beginning, savasana at the end, mindful movement throughout our practice together....but other than that, who knows what will come out?  Certainly not me!  And the best part about it is that it's your practice.  Whether it's with me or elsewhere allow it to always be your practice and think of what the instructor says as "suggestions" rather than "instructions".  And enjoy whatever kind of yoga you "do".

I'd love to hear from teachers on what inspires your teaching and from students on what types of yoga you're attracted to and why.


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Guest Post: Beginning a Home Yoga Practice by Abby Thompson

Taking Yoga Home: Beginning a Personal Practice by Abby Thompson, RYT

To a beginner, coming up with a way to practice at home can be daunting. As you grow your practice and learn more poses, variations, and styles, the task can seem even more daunting as the options expand, multiply, and fold in on themselves. But the benefits can be incredible- you're choosing how and where and how often to expend your energies and taking responsibility for your own growth.

Many yoga gurus will tell you that the relationship between student and teacher is a sacred one, and to practice on your own is not forsaking that, but cultivating and honoring your relationship to your own inner teacher. There are as many ways to practice yoga as there are benefits and styles, so, like any worthwhile endeavor, it takes a bit of planning, experimentation, and a bit of rule-breaking to figure out what you want, need, and enjoy.
  1. Decide how long and how often. For me, home practice is daily for around 20 minutes, except the two or three days I attend 60-90 minute classes. Your schedule, needs, environment, and attention span may work differently, but aim for as much consistency as you can.
  2. Consider what you hope to get out of your yoga practice. Yoga has plenty of reported benefits, and just by getting on your mat you're already touching on most of them! But for the sake of your home practice, choose two or three to focus on. From there, you can use books, the internet, your teachers, and your own intuition to construct a practice directed toward those goals. Benefits can range from the tangible (a more open thoracic spine, reduced shoulder tension) to the more abstract (more focus, an open heart). The point of the exercise is to be your own healer- to know yourself enough to know what you need and determine how to get it.
  3. Set some boundaries. If you share a space with roommates, a spouse or partner, kids, pets, or coworkers, be sure to let them know that you need some space and quiet in a way that they will understand.
  4. Put on some music, if you like. Remember, this is YOUR practice, so don't limit yourself to whatever music you would consider "yogic." If Enya helps you direct your energies toward a fuller expression of self, more power to you, but if a mix of Van Halen and Lady Gaga makes your heart sing, follow that impulse.
  5. Play. You want your home practice to be something you look forward to. So follow what you find fun and exciting and don't force anything.
Get onto your mat. 

There are no rules as far as how you actually do this, but for starters, I would suggest hitting the following milestones:
  • Start with a pause for transition. This will already be built into your studio or gym classes, but may be doubly important if you're practicing in a living room or office, where you have other hats to wear than "yogi." Give yourself a second to honor those other roles in your life, and set them aside for the duration of your practice. Find your breath, find your feet or body touching the ground, and begin to direct your attention to your ultimate teacher, your body.
  • Crank up the heat. Lots of styles of yoga begin with sun salutations for a good reason- it gets your muscles nice and warm in order to prevent injury and increase flexibility. You don't need to practice exactly 12 rounds of Surya Namascar, but begin your practice with something dynamic to get the blood pumping.
  • Listen to your body. As you move into asanas, take your time and be gentle on yourself- the goal is to be able to leave happy, and come back the next day. Take some time in each pose to really experience the mind and body and the intricate communication between the two.
  • Counterpose. You can do this even if you don't know much (yet!) about yoga. When you move energy one way, move it gently in the other way to get your equilibrium back. For example, a tiny twist in the other direction after a big twist, or a gentle forward fold after a backbend.
  • Let it set. Savasana or seated meditation can be really hard at home, when a stack of bills or your latest Netflix is at arm's reach. But think of curling hair or baking a cake- letting things cool down helps them to stay the way you arranged them. The same is true for your muscles and organs. After you've worked (and played) so hard, give your body some time in a constructive relaxation pose to settle down.
Remember, the most important part is to improvise and have fun. No rule is worth following if it feels wrong physically or feels like work mentally. Plan a little, but let your intuition and curiosity take you where they may.

Abby Thompson, a certified vinyasa yoga instructor, is a New York University graduate with a degree in the creative process, focusing on the body as a medium for experience and creativity. Abby's vigorous style combines the transformative power of vinyasa yoga and the healing power of the creative arts therapies in a playful experience of movement and breath. Abby offers public classes in Williamsburg, Brooklyn. For more information, you can check out her class schedule and blog at http://www.lifebloomyoga.com.

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Guest Post: Can I be an Ashtangi even if I can’t get into crazy postures?” by Linda Seelig

Ashtanga Yoga – What’s it all about? Can I be an Ashtangi even if I can’t get into crazy postures?

Yes. Absolutely you can. You can also be one even if you can’t get out of crazy postures (Kukkutasana anyone?).

If you are interested in what this system of breathing/rhythmic movement/meditation is all about, and you have a little time, less than an hour to spare, then certainly. I believe that you can practice Ashtanga vinyasa yoga your entire life with a nice daily practice and never even confront “crazy postures”. And if a crazy posture happens to greet you, simply reciprocate the greeting with a warm welcome, do something with it while honoring ahimsa, and be sure to give it a nice farewell (You take care now, Tittibhasana-and-jump-back-into-chaturanga dandasana, until next time!). What you may be doing instead might not look so crazy. It may not even be recognizable as anything remotely related to the posture in its textbook form. But is this really important? Who is judging you, yourself? Does it really matter on your yoga journey and self-realization path that you can’t do contortionist-like yoga moves? If it does matter, keep practicing, and hopefully this journey will lead you to the realization that it does not matter.

As an Ashtanga vinyasa yoga practitioner, one might also pose the question, “ Can I be an Ashtangi even if I can’t go from one posture to the next in the manner prescribed? After all, I’m just trying to get from Point A to Point B. Why the circuitous, wild ride on the way?” I once wrote a song addressing this issue called “The jump back, jump through blues”. Perhaps this leads to another topic, but I answer absolutely the same.

As “Ashtangis”, or any hatha yoga practitioner, whether we practice crazy postures, crazy transitions between postures, or we don’t, we are all working with the practice of yoga, grappling with inner dialogue simultaneously while moving our body physically. Someone new to the Ashtanga vinyasa method may be thinking five minutes into the practice during Sun Salutation B, “Are we in a hurry here? I rushed to yoga class to slow down, not take it up another notch.” Or a newcomer may feel as though they came to a Circus audition rather than a yoga class. You probably will be among Circus-qualified contortionists in an Ashtanga yoga class, but you are far from being at a Circus. Trust that, and start the rhythm of your yoga practice, whatever it may be, and enjoy.

I have been practicing yoga for about nine years, Ashtanga vinyasa yoga for the last eight, practicing the full primary series, modifying my way through second series on occasion, and dabbling with postures in the more advanced series. I affirmed that I was an “Ashtangi” the day I first heard the term and was asked if I was one. I don’t know how long I’d been practicing, but I knew that I loved and embraced this system. So after pondering the question a moment, I answered, “Yes, I am”.

What is an “Ashtangi” anyway? One who is devoted to the Ashtanga vinyasa yoga method and practices no other? One who chants daily “Give me Ashtanga yoga or give me death! ”? Or perhaps one who simply enjoys the method, approaches it at their own pace, and embraces it as part of their life?

Blooming from a practice that has consisted over the years of a beautiful myriad of consistent, vigorous 2 hour/day, 6-day/week practices to less than that, to complete sabbaticals from the traditional Ashtanga yoga practice, to torturous re-entry, and to repeat similar patterns, I have learned that yoga, Ashtanga vinyasa yoga, is so much more than the postures in the series. It’s not about the 1st, 2nd, and will-I- ever- get- to- the-other series anymore. ASHTANGA VINYASA YOGA IS SO MUCH MORE THAN THE POSTURES IN THE SERIES.

I feel the Ashtanga Vinyasa Yoga practice is unique. The uninterrupted, rhythmic, and challenging method appeals to me. It’s a magical journey. But since the sequences are to be memorized, done with correct timing, and can be difficult physically, learning this process and paying attention to the physical details alone can keep one occupied, day in and day out.

One can get lost in this process if the focus is always there and only there. But once you memorize the postures you will do, you don’t have to think much during your yoga practice. Your body knows what to do and moves accordingly. I believe this is the time to trust your body’s movement and further shift the focus to the mind. I notice my noisy mind seems louder when my body is silently, smoothly, but diligently moving on autopilot. For me, this practice serves its purpose well. It brings the inner chaos to my attention, and the techniques employed (focused breathing with sound, steady rhythm...) slow it down. And sometimes, my mind begins to fall in sync with the body, entering some silent, groovy space. Having this sweet, new, roomy space does allow for new noise to enter, but in these moments it is not noise that comes, it is music.

And now, to succinctly answer the question posed after taking you all on a circuitous route:

I think that if you feel like an Ashtangi, you are one. If you breathe like an Ashtangi, you are one. If you quack like an Ashtangi, you definitely are one. And if you bend, balance, float and fly, you’re a flamingo (Well, okay, or you are David Swenson).

Written by:
Linda Seelig
Ramstein, Germany


Comments can be addressed to:
RainOrShineYoga@gmail.com
www.RainOrShineYoga.com


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Keep Sane on Your Family Vacation with 3 Yoga Moves

Here's a link to an article that I wrote, published on BestEverYou.com about including yoga on your family vacation (is this really possible??)

Hope you're enjoying your summer!


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